Smokey Maverick

A destination for smokey musings, turning it up to 11 and the too-hip-for-it’s-own-good crowd.

Smokey Maverick♠ - It's like, how much more black could this be? and the answer is none. None more black.

Kick-ya-in-yer-pants Jazz/Soul

May 20th, 2010

Need a hopping new band to listen to? Check out Black Joe Lewis and the Honeybears. I highly doubt you’ll be disappointed.

Their latest album, Tell Em What Your Name Is!, was released over a year ago, but I still haven’t gotten tired of it yet. The well deserved crowd favorites are Gunpowder and Sugarfoot, while I’ve worn out the tracks Get Yo Shit and I’m Broke.

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Who says Pittsburgh doesn’t have worthwhile local music?

October 11th, 2009

While few will mistake Pittsburgh’s local music scene for those found in Austin, New Orleans or Nashville, that’s not to say we are void of musical talent. Enter stage right Big Hurry, complete with their heavy hitting, well timed rhythms and lyrics. The strained, passionate vocals of Kelly Tobias remind one of Erika Wennerstrom, from the Heartless Bastards.

They were featured on WYEP’s RMP this past July, where Morning Mix host Cindy Howes highlighted the female contributions to the band’s sound, with Dani on the drums and Kelly as the singer/synth. Cindy credited the band’s “Loudy, poundy, riot girl sound” and followed with the heavy compliment that Dani “is the best female drummer I’ve ever seen” (!!).

You can test drive their sound for yourself on their MySpace (try Save Your Breath and Radio), but better yet, Big Hurry will be releasing their Silver Screens EP this coming Saturday Oct. 17th at the Brillobox. So hurry on down to the Brillobox this weekend, and partake in supporting some local Pittsburgh riot gal sass for yourself.

Big Hurry's EP release will be this Saturday at the Brillobox

Big Hurry's EP release will be this Saturday at the Brillobox

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No ones going to take them alive

September 5th, 2009

“I can’t take credit for discovering them. I can only take credit for hearing what the rest of the world heard” – Perry Watts-Russell, A&R man responsible for signing Muse to Warner Bros

Continuing my writing about somewhat obscure, already well established bands that I think you should know about, but probably don’t, brings us to Muse. Affirming my belief that they are too far under the radar then they deserve, they grace the cover of this month’s Spin with the fitting sub-title “We’re the biggest band America doesn’t know anything about” (this marks the second time I’ve started to really get into a band, only to have them hit the cover of Spin the next month, the first time being TV on the Radio. My ego: +4).

Muse, live at London's Wembley

Muse, live at London's Wembley


I first recall digging these guys when I heard them on XM a year or two back. My curiosity of them was further peaked when my buddy told me his ‘gift’ to his wife was to see Muse opening for U2 (he is amazing at gifting items that he also gets to enjoy, i.e. “Honey, I got us tickets to the next Steelers playoff game!” Well played good sir.). They crept into my life again, when my other friend who really introduced me to the Hold Steady said she was infatuated with Muse in her formidable high school years. So when I found myself driving around McKnight road one recent Friday, prepping for my good friends wedding and blasting my worn out live Hold Steady album, I figured it was time to acquire a new, energetic live album. Browsing Best Buy I decided upon Muse’s live album Haarp. I am yet to be disappointed by my superior decision making skills.

As the Spin article emphasizes, Muse strives to be bigger in everything they do, including incendiary live shows with over the top visual effects to match their epic, complex sound. As bassist Chris Wolstenholme put it, “Since we were kids, we always put our money back into the stage show .. We want to give a show you’ll have to tell your frends about. We get better when we get bigger.” A DVD comes with Haarp, and I currently having it playing in the background while writing this – and they appear to my generations version of Arena Rock – a genre that has since believed to passed on, but looks like its alive and well. And for a yuge fan of Spinal Tap, this is very welcoming.

Muse is commonly compared to Radiohead, which is complete poppycock. Muse is a harder band, at times successfully slipping into the metal genre, and pulling it back, at it’s lightest, to a symphonic rock band. The comparison could be born from producer John Leckie, who produced The Bends and then moved on to coprodduce Muse’s first two albums. Leckie himself says, “After I produced The Bends, I was offered so many Radiohead copycats that I intentionally looked for something different. I found that in Muse. The comparisons are silly.”

Alas, yuge success in the US has yet to truly fester as it has for Radiohead. Muse is hoping their latest slew of shows stateside and their new album Resistance pushes their teetering popularity over the edge. The rocking band’s new album is due out 9.14.09 and word is it’s louder than before, while fusing a more symphonic sound to it. We can only hope it rivals the success of Saucy Jack.

ps – for an amazing example of the Muse song Hysteria, check out this vid, starting at the 5:30 mark. I’ve watched this about 83 times since it came out this past spring.

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